Wednesday, February 29, 2012
A Book in the Face
A Poem
By
Allen Masterson
A silicone evolution as pleasant as a book in the face
Wraps its needy tendrils ‘round my wanting ego
Sending unwanted requests for games enough to instigate
A carpal tunnel claw if I were to full-on participate
Gardens that kill time
Farms that grow apathy
Chronicles of hidden agendas
Between the world and me
‘Cause there’s no such thing as privacy
A question has crossed my digitized mind
With a series of ones and twos I believed
I had the option to choose, but every time I
Click my mouse someone asks me if I’d like to
Build a fake city, or play a card game, and I wonder,
What’s what, and who’s who?
A play by play of intimate thoughts on inane matters
Achievements best kept in the realm of modesty
Nervous breakdowns are not uncommon symbols of status
As a one time acquaintance graduates to secret nemesis
But even guilt can’t stop the clicking and scrolling
I now resort to combat by means of passive aggressive post trolling
With a trollolol sidekick or a humorous squeeze from a tube of you
This all makes me feel better after three years of cornflower blue…. ;)
Monday, February 27, 2012
Mock Orange - Grow Your Soul Away
Review
by
Allen Masterson
The following music video is by a band originally out of Evansville, IN. I shy away from labels when I can, but I will say Mock Orange's musical styling stands high above most others in their respective Midwestern nook. They are well traveled, accomplished musicians that transcend the typical bar band/cover band stigma which tends to attach itself to almost all quality groups that stem from their geographical location.
Mock Orange is a cultivated, "alternative"(I know, I know, no labels; I just couldn't stay away) group that has an old soul tone that only true artists can unearth and deliver uninhibitedly. Ryan Grisham's unassuming mandolin is a nice fit for his haunting vocals, and weaves well around this song's driving rhythm.
Good things come to those whom create, and wait; but you have waited long enough! Enjoy!
Mock Orange - Grow Your Soul Away from Wednesday Records on Vimeo.
by
Allen Masterson
The following music video is by a band originally out of Evansville, IN. I shy away from labels when I can, but I will say Mock Orange's musical styling stands high above most others in their respective Midwestern nook. They are well traveled, accomplished musicians that transcend the typical bar band/cover band stigma which tends to attach itself to almost all quality groups that stem from their geographical location.
Mock Orange is a cultivated, "alternative"(I know, I know, no labels; I just couldn't stay away) group that has an old soul tone that only true artists can unearth and deliver uninhibitedly. Ryan Grisham's unassuming mandolin is a nice fit for his haunting vocals, and weaves well around this song's driving rhythm.
Good things come to those whom create, and wait; but you have waited long enough! Enjoy!
Mock Orange - Grow Your Soul Away from Wednesday Records on Vimeo.
Monday, December 19, 2011
It's A Living
It’s A Living
By
Allen Masterson
Absorbed into the machinations of a
Honeycomb personality disorder,
Synchronized button pushing manifests
A mirrored figurative effect as I
Gnash my teeth and stomp my feet
At the crimes of routine.
Radio frequencies deconstruct molecules
To bond together pieces of a temporary shelter,
Which protects vulnerable creatures from the harsh reality
of their environment; for a fee, of course.
Cold hard cash is the coefficient I concern myself with
in the formula of a punched clock purgatory.
But harpies flutter about, pecking at my psyche
While picking my pocket with a quicksand hand
But there is respite down the corridor of time
Where behind unlocked doors whisper Saturn and Sun
The promises of security from society
And rumors.... of The Great 401.
Saturday, December 10, 2011
Prior to Coffee
Prior to Coffee
by
Allen Masterson
Dead last is the penultimate goal.
Only around long enough to process the contradiction,
But not enough to transcend process
And still the mind.
Finding your voice at midnight
While ceaseless engineering surrounds;
Cogs, components, subjugated metal
forged from DNA to clock a race.
Having realized Hell is a franchise of self-service
summons the CEO whom delivers the golden parachute
Of dawn before Watchers rise to meet the day;
Their haven is a ritual, a sneak peak in prostration.
Life is breath, biological combustion.
The Id conducts the machine in silence
While Ego secures cargo in compartments of
the mind.
A series of segues mark freeways,
forked paths lacking illumination from without.
Style is honed to solidify connection to the farm,
To find rows best suited for chaos with a side of fetish.
Cherubs feast on catastrophes painted on a cube,
Never realizing the true contents of their diet:
Fear seasoned with images, sauteed with words, digested with
archetypes.
Sex intoxicates, lubricates back door pallets of
perception.
Tainted are dreams now rotting on my pillow.
Drool of countless lives contained in a helix,
Folding flaws like origami on the tip of a tongue.
So With my final breath I say to you, "Good
morning".
Monday, May 9, 2011
Godsmack Inspiration
In the new paradigm of temp services and unemployment alternatives, a person can find themselves in the most hellish of musical circumstance while immersed in the muck of industrial quagmire for the sake of paying the rent.
For the past few weeks I’ve been working as a temp at a windows factory on the North side of Evansville. My duties are menial and sometimes inhumanly brutal both physically, and mentally. The physical aspect is easily dealt with because of my long history with nightmarish labor jobs, but I’ve happened upon a torture worthy of international inquiry, "Godsmack" overexposure.
One of the potential perks of this horror show of a job is an unbelievably loud stereo on each line that one can slide his or her own CD in to enjoy while carpal tunnel syndrome sets in destroying the nerves of said person’s hands. There is one serious problem with the musical situation on my particular line; my direct supervisor is a "Godsmack" savant.
At first I thought my twenty-two year old window glazing mentor had just forgotten his other CDs and decided to play one CD repetitively throughout my first day, but unfortunately this was not the case. "Godsmack’s" guttural vocal styling and fast paced instrumentation must be a subject of fixation for the guy. I had to admit that the metal made my pace on the line pick up a beat or two; sometimes from anger, and sometimes from resignation.
After a weeklong bombardment of never ending windows and "Godsmack", I decided to make a bold move and bring some of my music in to see how it would go over. I knew that most of my tastes wouldn’t jive with the industrial accommodations, so I compromised and brought in some; “Led Zeppelin”, “Mr Bungle”, “The Black Keys”, and “The Beastie Boys” to name a few; but my attempts at compromise were met with an uncomfortable silence amidst the deafening noise of the factory. My young windows pedagogue even did the unspeakable; he ejected “The Black Keys” midway declaring, “This is too slow.” Absurd!
This past week I found myself deconstructing "Godsmack" lyrical clichés, which there are too many to count, and deciding whoever wrote the lyrics had mother issues and an obsession with death. I sometimes found myself laughing out loud at the thought of how this third rate band and the many like them were selling millions of records and influencing popular music blaring out onto the streets of American trailer parks and out of speakers perched on factory lines haphazardly with mutilated wire hangers.
There is one redeeming quality concerning my "Godsmack" nightmare, inspiration. As I’m finishing up this piece I’m listening to the haunting genius of Jeff Buckley’s, “Grace” album, and am gearing up to polish my resume. While Buckley inspires me to break down the walls of my subconscious to find my inner truth, Godsmack inspires me to riddle my resume with white lies to escape my immediate circumstance.
Someday I will be exposed to "Godsmack" in a different setting and may possibly find some good qualities I may have missed in their dynamic due to association, but I seriously doubt it!
©2011JerryAllenMasterson
For the past few weeks I’ve been working as a temp at a windows factory on the North side of Evansville. My duties are menial and sometimes inhumanly brutal both physically, and mentally. The physical aspect is easily dealt with because of my long history with nightmarish labor jobs, but I’ve happened upon a torture worthy of international inquiry, "Godsmack" overexposure.
One of the potential perks of this horror show of a job is an unbelievably loud stereo on each line that one can slide his or her own CD in to enjoy while carpal tunnel syndrome sets in destroying the nerves of said person’s hands. There is one serious problem with the musical situation on my particular line; my direct supervisor is a "Godsmack" savant.
At first I thought my twenty-two year old window glazing mentor had just forgotten his other CDs and decided to play one CD repetitively throughout my first day, but unfortunately this was not the case. "Godsmack’s" guttural vocal styling and fast paced instrumentation must be a subject of fixation for the guy. I had to admit that the metal made my pace on the line pick up a beat or two; sometimes from anger, and sometimes from resignation.
After a weeklong bombardment of never ending windows and "Godsmack", I decided to make a bold move and bring some of my music in to see how it would go over. I knew that most of my tastes wouldn’t jive with the industrial accommodations, so I compromised and brought in some; “Led Zeppelin”, “Mr Bungle”, “The Black Keys”, and “The Beastie Boys” to name a few; but my attempts at compromise were met with an uncomfortable silence amidst the deafening noise of the factory. My young windows pedagogue even did the unspeakable; he ejected “The Black Keys” midway declaring, “This is too slow.” Absurd!
This past week I found myself deconstructing "Godsmack" lyrical clichés, which there are too many to count, and deciding whoever wrote the lyrics had mother issues and an obsession with death. I sometimes found myself laughing out loud at the thought of how this third rate band and the many like them were selling millions of records and influencing popular music blaring out onto the streets of American trailer parks and out of speakers perched on factory lines haphazardly with mutilated wire hangers.
There is one redeeming quality concerning my "Godsmack" nightmare, inspiration. As I’m finishing up this piece I’m listening to the haunting genius of Jeff Buckley’s, “Grace” album, and am gearing up to polish my resume. While Buckley inspires me to break down the walls of my subconscious to find my inner truth, Godsmack inspires me to riddle my resume with white lies to escape my immediate circumstance.
Someday I will be exposed to "Godsmack" in a different setting and may possibly find some good qualities I may have missed in their dynamic due to association, but I seriously doubt it!
©2011JerryAllenMasterson
Friday, December 31, 2010
The Resolution
An inverted season and another impromptu alibi
for why I haven't quieted the mind to escape
the hive
Drudgery on a production line
to fertalize neurosis
Looks and laughs shared by inmates
in cages made of skin and clocks
Another number assigned to identify a
corporate relation to the system,
a prole role as an extra in a comedy for the gods
A resolution is conjured arbitrarily
for the annual let down of tradition
This time it will be different.
This time it will be.
Tuesday, October 12, 2010
"Modernity Revisited" a Poem by Allen Masterson
All around, digital clocks involuntarily report time,
HD images turn leaves, perpetually color
Loops of an Autumnal Equinox
Pixelation love affairs, 3D trysts in phantasmagoria
While slick Presidents strut up to hovering tele prompters
to
Haunt our broken dreams of an abstracted concept of change
A shoe, a book, a naked man
Can’t shatter the manufactured reality propagated
To enslave us with catch phrases developed in focus groups
Polls read the pulse of dying consumers in death throws
On wireless worlds where words shed their meaning with
A wanton dictionary’s evolutionary Newspeak whisper
Our days burn upon us with solar flares that melt our
Individual icecaps, drown our individual expression
In seas of analog egos
We can only hope to meet on the other side
Of fiber optic gateways, and modem magic
To love in purity, having escaped
To the infinite breath-Nature
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